Truly exclusive                                                    The look of the LHSA Special Edition is true to the original 1956 LEICA MP - including the frames around the viewfinder window, for example, and the historic carrying strap eyelets. The texture of the leather trim is also in line with the classic vulcanite finish.

Perfect in every detail                                                              Just like it was back then: the classic bright line frame set for 35, 50 and 90 mm lenses, corresponding to the full negative format of 24 x 36 mm, the external frame counter, shutter speed dial, image field selector, and rewind release lever all correspond to those of the original MP.

MP 0.72 LHSA 1968-2003 in Gray Hammertone Finish

Leica MP which has been commissioned by the Leica Historical Society of America. The Leica MP 0.72 LHSA 1968~2003 in Gray Hammertone Finish. Leica AG will limit the production of this series to 1000 pieces worldwide. The top and bottom caps are treated with a gray hammertone lacquer, giving this series a beautiful distinct look.  This finish was used on a small number of M2 and MD cameras of the 1960’s.  The gray hammertone lacquer is very “retro” in apprearance resembling tools also produced in the early 1960’s. This special series of Leica MP 0.72, LEICA SUMMICRON M 35mm f/2 ASPH, and Leicavit M in the same hammertone finish to form an attractive set. The camera, lens, and LEICAVIT M have a special LHSA engraving. Besides the additional LHSA-engraving, the lens comes with a dedicated lens hood, with the hammertone lacquer finish.

Leica "O" series camera

Leica Camera AG is presenting a new edition of the Leica O series,    originally  produced in only small quantities in 1923/24. the fully functional camera is intended for people who like classic products, particularly photographers who like  to experiment.

Gordon Hutchings PMK Pyro

Cocoon 70 Lighting Tent 43(w) X 50(h) X 70(d)cm The simple time-saving innovation that makes lighting small products easy. The Cocoon is an egg-shaped plastic cove made up of four translucent diffusion panels which are fastened with zippers for easy assembly and storage. There are three camera positions to photograph from: overhead, at a 45° angle or horizontally. Unlike perfectly even light boxes, the Cocoon graduates the light to minimize the "bloooming" of digital highlights and can be lit using sunlight, skylight, full-spectrum fluorescent or flash. The Cocoon is designed for the angle of view and focus needed by a 55-60mm macro lens on a 35mm camera or equivalent.

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