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HOME
| PAPER PRODUCTS
Forte Paper
Products
The Hungarian
manufacturer Forte is one of the last manufacturers to maintain a full
range of traditionally formulated fiber base papers.
They also actively research and develop new products. One of their recent
successes is the warm tone VC fiber paper 'Polywarmtone'. We import
and distribute these papers ourselves.
FORTE
POLYGRADE-V.FB
A
fiber-based variable contrast paper capable of producing neutral to cool
tones depending on choice of developer. It tones quite nicely and is available
in both glossy and semi-matt surface (click
for more information).
FORTE POLY
GRADE V FIBER BASE PAPERS (PG-V.4, PG-V.5)
DOUBLE
WEIGHT
|
SIZE
|
SURFACE
|
PRICE
CAD
|
|
8X10
(10 sheets)
|
glossy
or semi-matte
|
$17
|
|
8X10
(25 sheets)
|
glossy
or semi-matte
|
$29
|
|
8X10
(100 sheets)
|
glossy
or semi-matte
|
$93
|
|
11x14 (10
sheets)
|
glossy
or semi-matte
|
$22
|
|
11x14
(50 sheets)
|
glossy
or semi-matte
|
$88
|
|
16x20
(10 sheets)
|
glossy
or semi-matte
|
$48
|
|
16x20
(50 sheets)
|
glossy
or semi-matte
|
$199
|
|
20x24
(10 sheets)
|
glossy
or semi-matte
|
$71
|
FORTE
POLYWARMTONE PLUS FB
A
variable contrast paper with a rich warm tone and an off-white base. The
range of grades possible with this paper extends from about G1 to G4. The
base employed has been recently upgraded to the 300g 'museum weight - most
papers use 240g 'double weight'. This results in a robust print with a
quality feel. Polywarmtone is an exceptionally malleable material with
all the qualities of
traditional chloroformed papers and can be developed to give a very warm
color using appropriate warm tone developers such as Agfa Neutol WA,. As
might be expected, this paper tones extremely well and quickly and gives
a very good split tone in selenium. It is available in semi-matt and glossy
surfaces (click
here for more information).
FORTE POLYWARMTONE
FIBER BASE PAPERS (PW-14, PW-15)
MUSEUM
WEIGHT (25% heavier than double weight)
|
SIZE
|
SURFACE
|
PRICE
CAD
|
|
8X10
(10 sheets)
|
glossy
or semi-matte
|
$19
|
|
8X10
(25 sheets)
|
glossy
or sem-matte
|
$37
|
|
8X10
(100 sheets)
|
glossy
or semi-matte
|
$127
|
|
11x14
(10 sheets)
|
glossy
or semi-matte
|
$30
|
|
11X14
(50 sheets)
|
glossy
or semi-matte
|
$127
|
|
16x20
(10 sheets)
|
glossy
or semi-matte
|
$69
|
|
16x20
(50 sheets)
|
glossy
or semi-matte
|
$282
|
|
20x24
(10 sheets)
|
glossy
or semi-matt
|
$98
|
FORTE POLYWARMTONE
FIBER BASE PAPERS WITH IVORY BASE (PW-17)
MUSEUM
WEIGHT (25% heavier than double weight)
A variable contrast
paper with a rich warm tone with an Ivory base. It is available in semi-glossy
surfaces only.
|
8x10 (10
sheets)
|
semi-glossy
|
$19
|
|
11x14 (10
sheets)
|
semi-glossy
|
$30
|
|
11x14 (50
sheets)
|
semi-glossy
|
$127
|
|
16x20 (10
sheets)
|
semi-glossy
|
$69
|
|
16x20 (50
sheets)
|
semi-glossy
|
$282
|
|
20x24 (10
sheets)
|
semi-glossy
|
$98
|
Fortepan
Film
| FORTRAN
200
This film is
especially useful because it provides latitude simply not possible with
any other film. The film has virtually the same fine grain as the much
slower 100 ASA film.
Speed: 200
ASA, 24 DIN, ISO 200/24
Resolving power:
85 lines/mm
Tonal ranges:
7
Formats available:
135mm/36exp.
120 mm roll
4" X 5"/25
sheets
8" X 10"/25
sheets |
FORTRAN
400
A unique dual
emulsion film containing both a 50 ASA and a 400 ASA layer. The slower
layer produces wonderful details in highlights otherwise lost with other
400 ASA films. The film has predominant yellow sensitivity to maintain
its speed and fine grain in tungsten lighting.
Speed: 400
ASA, 27 DIN, ISO 400/27
Resolving power:
80 line/mm
Tonal ranges:
7
Formats available:
135 mm/36 exp.
120 mm roll
4" X 5"/25
sheets
13 cm X 18
cm/25 sheets
8" X 10"/25
sheets |
Forte Films Processing
Guide
| DEVELOPER |
FORTEPAN
200 ASA
|
FORTEPAN
400 ASA
400/27 ISO
Daylight
200/24 ISO
Tungsten
|
|
TEMPERATURE
|
68°F
|
75°F
|
68°F
|
75°F
|
| |
Minutes
|
Minutes
|
Minutes
|
Minutes
|
| Zonal Pro Gamma
Plus (1:12) |
10.5
|
9
|
11.5
|
9.5
|
| Kodak
D-76 (Stock) |
9.5
|
8
|
10.5
|
9
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| Kodak D-76
(1:1) |
12
|
9.5
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N/R
|
12
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| Kodak T-Max |
6.5
|
5
|
8
|
6.5
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| Kodak HC-110
(Dil. B) |
6
|
4
|
7.5
|
5.5
|
| Kodak Microdol-X
* |
11.5
|
9
|
14.5
|
12
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| Agfa Rodinal
(1:25) |
6
|
4.5
|
7.5
|
6
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| Ilford ID-11 |
9.5
|
8
|
10.5
|
9
|
| ADJUSTED
ISO |
100/21 ISO
|
200/24
ISO
Tungsten
100/21
ISO Daylight
|
| Kodak
Microdol-X ** |
10
|
7.5
|
13
|
10.5
|
Above times
are starting points to produce normal contrast negative printed with a
condenser type enlarger. All development times require continuous agitation
for the first minute of development. Provide agitation of 5 to 7 inversion
cycles for a 5 second span every 30 seconds for the remainder of the development
time.
SHEET FILM
The above times
are based on continuous agitation for sheet films throughout the entire
processing time.
Agitation required
is 25 cycles per minute with tray processing.
* Will
not produce optimum resolution, due to developer's characteristics. Fortepan
will reach optimal print quality when ISO and development times are adjusted.
**
Will
produce optimum resolution for Fortepan, note that film speed is one stop
slower than normally rated and processing times are adjusted.
|
Fortepan
200 ASA
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Fortepan
400 ASA
|
|
Format
|
Price
CAD
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Format
|
Price
CAD
|
| 4"x5"/25 sheets |
$21.00 |
135/36 |
$4.50 |
| 8"x10"/25 sheets |
$75.00 |
4"x5"/25 sheets |
$21.00 |
| |
|
13cm x 18cm/25
sheets |
$21.00 |
| |
|
8"x10"/25 sheets |
$75.00 |
TOP
|
|
HOME
| KENTMERE PAPER PRODUCTS
Kentmere is one of
the world's leading B&W paper manufacturers, committed to offering the highest
standards of product and service. A British based and owned company, believes in
working in partnership with its customers.
VC
Select technical data
Offering commercial and creative printers a premium quality, high speed,
variable contrast resin coated paper, VC Select gives the busy professional
printer the quality alternative - superb image rendition with a high speed
emulsion one stop faster than most. By cutting exposure times by 50%, VC
Select can significantly reduce valuable production time. Deep, rich, neutral
blacks, excellent tonal separation and crisp whites characterise this paper. VC
Select offers image excellence, high emulsion speed, cool, crisp sparkling
prints, backed by the quality and consistency of an ISO 9002 accredited
manufacturer.
Description
VC Select is a black and white enlarging paper with a polyethylene coated base,
coated with a variable contrast emulsion. Using standard colour filtration,
contrast grades from 00 to 5 are achievable in half grade steps. VC Select is
available in four separate surface finishes - Glossy, Satin, Fine Lustre and
Fine Lustre Warmtone.
Fineprint
technical data
Three unique alternatives for the discerning
image maker seeking the aesthetic qualities of a fibre based paper coupled with
the convenience of a variable contrast emulsion. Cool rich blacks, crisp bright
whites and exceptional mid-tone detail characterise Fineprint VC Glossy and
Finegrain. KentmereÍs unique bromo-iodide technology, with its special
construction, offers superior sharpness with separation in even the finest
detail. The range also includes Fineprint F.G. Warmtone. Warm rich whites and a
subtle, warmer image rendition characterise this paper complemented by its
Finegrain Semi-Matt surface. All three surfaces respond superbly to many toning
techniques allowing further manipulation of tone and contrast. Whatever your
needs, Fineprint VC is the perfect choice for portfolio, exhibition and
commercial work where excellence is the criterion.
Description
The Fineprint VC range consists of black and white enlarging papers with a
traditional fibre base, coated with a variable contrast emulsion. Using standard
colour filtration, contrast from grades 00 to 5 are achievable in half grade
steps. Fineprint VC is available in Glossy, Finegrain and Finegrain Warmtone.
Availability Chart
| EMULSION |
PRODUCT
COLOUR CODE |
SURFACE |
WEIGHT |
CONTRAST |
| VC Select |
Gold |
Glossy
Fine Lustre |
Medium
Medium |
00 ~ 5 |
| Fineprint
VC |
Silver |
Glossy
Finegrain
F.G. Warmtone |
Double
Double
Double |
00 ~ 5 |
|
| HOME
| Moersch Chemical Products
http://www.moersch-photochemie.de
Developer concentrates
SPECIAL EDITION 1 SEPIA
Toning Developer for the production of brown
picture tones by use of warm tone chlorobrominesilver papers without incorporated
developer substances. Bergger Prestige, Forte Museum.
The picture tone is controllable between sepia and reddish
brown by dilution.
Dilution: 1+4 to 1+40
1 liter
$35.00 |
 |
SPECIAL EDITION 2 WARM
Warmtone Developer for the production of warm up
to neutral picture tones.
Picture tone depends on the used paper. The tone scale
on fix graded papers is influenced by dilution.
Dilution: 1+7 to 1+15 with identical Dmax
1 liter $21.00 |
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SPECIAL EDITION 30 MERITOL
| Slow working developer for neutral up to brownish picture
tones. Produces at a dilution of 1+10 at two minutes development time a
warm brown picture tone with SELECT SEPIA VC. The maximum density is reached
at a prolongation of the development time up to three minutes. The picture
tone then changes to a cool brownish black.
1 liter $29.00 |
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SPECIAL EDITION 5 LITH
Unique developer for the Lithprint-technique, tunable
for approx. 20 papers, picture tones are controlled by dilution and additives,
quite variable.
A combination table (with all relevant processing data)
as well as a detailed working description for the fine coordination of
paper/developer is enclosed.
The durability is extremely high (said for the working
solution of Lith-developer: 1+10 without an additional antioxidant 500
ml
in the open shell of 20x25cm [8x10"] 4-6 hours). With
an enclosed additive, one has the
chance to weaken or turn off the lith effect completely
so that this solution can also be
used as a pure brown tone developer.
Recommended dilution
1+10 to 1+30 |
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Professional:
0,5 liter (Part A 250 ml, Part B 250 ml) for 5-15 liters
working solution
N/A
Master:
1,0 liter (Part A 500 ml, Part B 500 ml and two additives)
for 10-30 liters working solution
$63.00
SPECIAL EDITION 6 BLUE
Fineprint developer for the production of cold up to
blue-black tones. The degree of blue tone depends on the used paper, even
definite warm tone papers appear in a colder blue-black. The tone scale
on fixgraded papers is influenced by dilution.
Dilution: 1+5 to 1+15 with identical Dmax
1 liter $25.00 |
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SPECIAL EDITION 7 BROMOIL
Special developer for the bromoil print! Formulation
with five super additive developer substances and low pH-value.
1 liter $32.00
|
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SPECIAL EDITION 15 POLYCHROME
Kit
Developer-Kit for the production of colorful picture tones,
with or without Lith-effect: This kit includes Lith & Sienna developers
as well as several additives for picture tone controlling.
| Silver Prints obtained from these developer combinations
are very susceptible to known toning procedures. Toning is not necessary.
The selenium toner for example, in various dilution, kindles a true firework
of colorful tones. |
 |
This developing technique is recommended only to the
experienced "Lith-printer"! During the matching onto the most various
paper emulsions, our settings must exactly be followed (till own experiences
are made) to obtain the desired picture tones.
500ml LITH and 500ml SIENNA $83.00
SPECIAL EDITION 20 AMIDOL Plus
The dream of all fine-art printers!
Consisting of an Amidol and a Hydrochinon developer.
Delivery starts from end of march, orders can already be made. The picture
appears in the first developer in all details in utmost tenderness. In
the second developer further developing is made till the desired contrast
is reached. In this developer combination both the lights and shades can
be reproduced with greatest possible distinction.
We also cannot cure Amidol from his known joy of
oxidation completely but
we are still working on it. Luckily we were able to
prolong its working
durability! The working
solution is freshly prepared before use and (more than
20 Prints, 24x30cm) stays
good at least a printing
session, at high usage in the open tray. |
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The solution, by less usage and standing time, can be kept
some days in a highly filled bottle. The picture tone, adjusted warmly
by us can by means of the enclosed additive and depending on the used paper,
vary up to blue-black nuances. Available as: 5 x Amidol/Hydrochinon for
respectively 600-1000 ml of working solution+additive for colder picture
tones. $75.00
|
LITH C Additive Antioxidanz
100 ml $9.00
|
LITH D Additive Starter I
100 ml $6.50
|
LITH E Additive Starter II
100 ml $6.50
|
The additives contained in the Master Set and
another additive for cooler and more grainy picture tones can also
be obtained as single items. |
The Additive LITH E Starter II helps to enlarge the papers grain. |
TOP
|
HOME
| Bergger Film & Paper Products
Bergger NEW Classic LC 200 (BPF200)
Bergger has exclusively commissioned this excellent
Black&White sheet film in all sheet sizes at attractive prices:
Bergger NEW Classic LC 200 is a fine-grained medium-speed
black-and-white film (200 ASA / 24°). It contains an emulsion with
high edge definition, which in combination with fine grain and extensive
exposure latitude produces a wide tonal range.
The formulation of this film provides beautiful results
with common developers. Furthermore, this material is highly qualified
for processes like Pyro (PMK). All the people who were fans of SuperXX
and similar emulsions should take this Bergger sheet film into serious
consideration.
Development Times
|
D-76/ID-11
|
9
|
|
D-76/ID-11 (1+1)
|
13.5
|
|
HC-110 (B)
|
6
|
|
Rodinal (1+25)
|
6.5
|
|
Rodinal (1+50)
|
12
|
|
PMK Pyro (1+2+100)
|
12
|
Development times in minutes/we recommend 20°Celsius/68°Fahrenheit
|
Bergger Classic BRF 200
|
Format
|
Roll/Sheets
|
Price CAD
|
|
135mm
|
36 exp.
|
$8.25
|
|
120mm
|
12 exp.
|
$5.25
|
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4" X 5"
|
25 sheets
|
$35.00
|
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5" X 7"
|
25 sheets
|
$55.00
|
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8" X 10"
|
25 sheets
|
$120
|
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Bergger PRESTIGE Paper
Prestige is a new high quality, fiber-based paper, available
in rich cold tone or warm tone version. You can choose from many surfaces
and it is available in variable contrast paper.
VARIABLE NB
A glossy, variable-contrast (VC), fiber-based, double-weight
enlarging paper for use with Kodak or Ilford variable contrast filtration
systems, or the correspondingly correct colors in dichro color heads or
VC heads. Neutral image tone.
PRESTIGE VARIABLE NB is a double weight photographic paper with
a high quality emulsion. Its superb fiber base gives it exceptional results
and whiteness. Surface is glossy. It gives a neutral image tone. PRESTIGE
VARIABLE
NB can produce an image from a soft tone to an exceptionally hard tone
due to the emulsion incorporating both blue and green sensitivities. By
using a multi filter set, contrast range from 0 to 5 are available, in
half grade increments from a single paper.
|
SIZE
|
PRICE CAD
|
|
8" X 10" (25 sheets)
|
$34.99
|
|
11" X 14" (25 sheets)
|
$62.99
|
|
16" X 20" (25 sheets)
|
$131.99
|
|
20" X 24" (25 sheets)
|
$194.99
|
VARIABLE CM
A premium-weight 300g/m2 semi-matte. Variable-contrast
(VC) enlarging paper for use with the Kodak or Ilford variable contrast
filtration system, or the correspondingly correct colors in dichro color
heads or VC heads.
PRESTIGE VARIABLE CM is a double weight photographic paper with
warm black image tone. Its heavy (300 gm2), superb fiber base gives it
exceptional results. Surface is matte.
PRESTIGE VARIABLE CM can produce an image from a soft tone to
an exceptionally hard tone due to the emulsion incorporating both blue
and green sensitivities. By using a multi filter set, contrast range from
0 to 5 are available, in half grade increments from a single paper.
VARIABLE CB
A premium-weight 300g/m2 glossy warm tone. Variable-contrast
(VC), fiber-based enlarging paper for use with the Kodak or Ilford
variable contrast filtration system, or the correspondingly correct colors
in dichro-colorheads or VC heads.
PRESTIGE VARIABLE CB is a double weight photographic paper with
warm black image tone. Its heavy (300 gm2), superb fiber base gives it
exceptional results. Surface is glossy.
PRESTIGE VARIABLE CB can produce an image from a soft tone to
an exceptionally hard tone due to the emulsion incorporating both blue
and green sensitivities. By using a multi filter set, contrast range from
0 to 5 are available, in half grade increments from a single paper.
|
SIZE
|
PRICE CAD
|
|
8" X 10" (25 sheets)
|
$37.99
|
|
11" X 14" (25 sheets)
|
$69.99
|
|
16" X 20" (25 sheets)
|
$145.99
|
|
20" X 24" (25 sheets)
|
$217.99
|
TECHNICAL INFO
CONTRAST
Using Ilford's Multigrade 2 filter set, 12 contrast grades are possible
from this paper. With Kodak's Polycontrast 2 which are recommended, 11
contrast grades are available.
HANDLING
Kodak OC or equivalent safelight is recommended. It is a good idea
to test for safelight fog from time-to-time.
EXPOSURE
Double weight glossy PRESTIGE paper can be exposed with all enlarger
and printer light source. Be aware that some older types of cold light
tubes may normally require more yellow filtration.
DEVELOPMENT
Process in any good quality paper developer at 20°C (68°F)
for 1½ to 2 min. with continuous agitation. BERGGER 'ecco' developers
work particularly well with this paper.
STOP BATH
An acid stop bath is optional but recommended. It quickly stops development
by neutralizing alkali. This also helps extend fixer life. Dilution : 25
cc of 28% acetic acid in 1 litre of water. Stop bath time : 15 seconds
or 20 to 30 seconds of water rinse.
FIXING (maximum time: 10 minutes)
Treat in a conventional sodium thiosultate fixer for a minimum of 5
min. at 20°C (68°F). Normal fixer capacity is 1.5 sqm/litre. A
two bath fixing method (at 2.5 min. per bath) may be used to avoid under-fixing.
When the first bath is exhausted, replace it with the second bath and mix
a fresh << second bath >>. With ammonium thiosulfate 'rapid' fixers,
treat for 30 to 45 seconds only, then give a thorough pre-wash for 5 min,
Next, treat with a wash-aid (see WASHING, below) with frequent agitation
for 10 min. before transferring to a final wash.
AFTER TREATMENTS
PRESTIGE VARIABLE NB responds well to bleaching and toning, To increase
print life and deepen dark tones, prints may be treated in a selenium toner
of about 1:15 dilution.
WASHING
The use of a wash aid (such as Kodak Hypo Clearing Agent) will reduce
your wash time and increase the efficiency of your washing. As well, it
will help guarantee the permanence of your photograph. Wash PRESTIGE in
running water at a rate fast enough to completely change once every 5 minutes.
Wash time is 1 hour at 20°C (68°F) or 30 min. if a wash aid has
been used.
DRYING
To effect even and rapid drying, you may use a wetting agent as a final
rinse. Excess water should be removed from the surface of prints with a
clean sponge or squeegee. Prints may then be dried in dust?free air on
drying screens or in a clean photo-blotter.
FINISHING
PRESTIGE VARIABLE CM may be retouched, spotted and mounted using normal
methods.
FINE ART - (SILVER SUPREME)
An unrivaled black and white photographic paper of very
high quality. High silver content emulsion coated on a sumptuous
100% cotton - rag paper base of 320g/m2. Only one contrast grade.
PRESTIGE FINE ART - (SILVER SUPREME) is an extra-premium (320g/m2),
semi-matte photographic paper with a 100% cotton rag base. It a single
grade emulsion (approximately grade 2) which is particularly high in silver
content and gives extremely deep blacks and wide range of mid-tones.
It has excellent toning capability and due to the quality of its paper
base and surface softness, it allows un-matched possibilities of hand-coloring.
PRESTIGE FINE ART - (SILVER SUPREME) also gives wonderful results
when used to make contact prints from large negatives made with BPF 200
film.
|
SIZE
|
PRICE CAD
|
|
8" X 10" (10 sheets)
|
$45.99
|
|
16" X 20" (10 sheets)
|
$149.99
|
TECHNICAL INFO
HANDLING
Red safelight such as from a Wratten 1A is recommended. With direct
illumination from a 15 Watt bulb. Direct minimum working distance is 1.5m
(5 feet). It is a good idea to test for safelight fog from time-to-time.
EXPOSURE
PRESTIGE FINE ART - (SILVER SUPREME) can be exposed with all types
of enlarger and printer light source. Exact exposure times may be found
by test strips (small, extra sheets of the paper are enclosed for this
purpose).
DEVELOPMENT
Process in any good quality paper developer at 20°C (68°F)
for 2 to 3 min. with continuous agitation.
STOP BATH
An acid stop bath is optional but recommended. It quickly stops development
by neutralizing alkali. This also helps extend fixer life. Dilution : 25
cc of 28% acetic acid in 1 liter of water. Stop bath time: 15 seconds or
20 to 30 seconds of water rinse.
FIXING (maximum time: 10 minutes)
Treat in a conventional sodium thiosultate fixer for a minimum of 5
min. at 20°C (68°F). Normal fixer capacity is 1.5 sqm/liter. A
two bath fixing method (at 2.5 min. per bath) may be used to avoid under-fixing.
When the first bath is exhausted, replace it with the second bath and mix
a fresh << second bath >>. With ammonium thiosulfate rapid fixers,
treat for 30 to 45 seconds only, then give a thorough pre-wash for 5 min,
Next, treat with a wash-aid (see WASHING below) with frequent
agitation for 10 min. before transferring to a final wash.
WASHING
The use of a wash aid (such as Kodak Hypo Clearing Agent) will reduce
your wash time and increase the efficiency of your washing. As well, it
will help guarantee the permanence of your photograph. Wash PRESTIGE in
running water at a rate fast enough to completely change once every 5 minutes.
Wash time is 1 hour at 20°C (68°F) or 30 min. if a wash aid has
been used.
DRYING
To effect even and rapid drying, you may use a wetting agent as a final
rinse. Excess water should be removed from the surface of prints with a
clean sponge or squeegee. Prints may then be dried in dust-free air on
drying screens or in a clean photo-blotter.
Contact 2
A Silver Chloride Iodide, single grade fiber-based, double-weight
enlarging paper.
|
SIZE
|
PRICE CAD
|
|
8" X 10" (25 sheets)
|
$43.99
|
|
11" X 14" (25 sheets)
|
$86.99
|
|
16" X 20" (10 sheets)
|
$68.99
|
|